Slave Girl of Gor

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I had been thrown to my Master's men. One after another had raped and beaten me, and thrown me to the next. I was handed about as an object fierce was the discipline that they handed me." However, when people apply the rules of a fictional world to real life they can find themselves engaging in truly bizarre practices. Slaves in Gor are marked with a brand: kejiras are marked with a “kef,” a stylised K. The kef is commonly tattooed on female Goreans with some going as far as acquiring an actual brand.The personal blogs where Goreans have posted pictures of these brands both give outsiders a glimpse of this radical lifestyle and help normalize extreme behaviors to others who might be considering getting more involved in the lifestyle. Most of the books are narrated by transplanted British professor Tarl Cabot, master swordsman, as he engages in adventures involving Priest-Kings, Kurii, and humans. Books 7, 11, 19, 22, 26, 27, 31, 34 and parts of 32 are narrated by abducted Earth women who are made into slaves. Books 14, 15, and 16 are narrated by male abductee Jason Marshall. Book 28 is narrated by an unknown Kur, but features Tarl Cabot. Book 30 and parts of 32 are narrated by three Gorean men: a mariner, a scribe and a merchant/slaver. Are John Norman's Gors 'Boy-Books'?". E-Reads. Archived from the original on 2012-10-31 . Retrieved 2013-01-26. Bardzell, Shaowen; Odom, William (August 2008). "The Experience of Embodied Space in Virtual Worlds: An Ethnography of a Second Life Community". Space and Culture. SAGE Journals. 11 (3): 239–259. doi: 10.1177/1206331208319148. ISSN 1206-3312. LCCN 99301909. OCLC 535496255. S2CID 146711299– via ResearchGate.

I have five brands," said the metal worker, "the common Kajira brand, the Dina, the Palm, the mark of Treve, the mark of Port Kar."P= "the like of whom was never seen":::T= "a thousand blandishments", i.e. charming P= "the like of whom was never seen":::T= "a thousand blandishments", i.e. charming Binnaz (BEE-naz) C [ ] Caasi H = Jewish variant of Catherine or Cassandra Callista/Kallista G = most beautiful Candace/Candide G = white-hot fire, incandescent Carissa/Karissa G = beloved Celina/Celeste Jewish = from the latin "Heavenly" Charis (char-is) G = grace, kindess Charo H = form of Caroline:::G = the precious stone coral Had there been a "first girl," I might have assisted her in her tasks, done much of her work, flattered her, cultivated her, petitioned her, and so on, but there was no first girl. The nearest thing to a first girl was Marcella, who did not care for me, and was the favorite of the kitchen master. Marrus (2009). Lightsurfing: Living Life in the Front of My Mouth 1992–2003. Kissena Park Press. pp.51–55, 67–70. ISBN 978-0-9768508-2-3. Is it honor and the codes, I wondered, which separate us from animals, or, rather, is it they which bring us closer to the innocence of the animals,” reads one part of Swordsmen of Gor.

small square (3x3') iron box with a door having a viewing aperture of 7 inches x1/2 inches in the middle and a pass-through of 12x2 inches at the base; a punishment device for slaves. T = laugh:::P= rose garden T = laugh:::P= rose garden Gulshan (GOOL-shan), Gulistan (GOOL-ees-tan) H [ ] Habibah M = darling, beloved Hadara/Hadarah (hah-dah-rah) H = adorned with beauty, splendid Hadassah (hah-das-sah) H = myrtle tree, symbol of victory Hadiyah M = gift, valuable person Hafiza T = memory Hafsa M = cub, young lioness Halima/Haleemah (hah-LEE-mah) M = lady of patience and perserverance Hana M = happiness, peace of mind Hanifah M = true, upright Hanife T = lady Huraiva M = kitten Harika T = marvelous, wonderful Huriye P = "like a Houri", i.e. maiden of paradise Hasina/Hasseenah (hah-SEE-nah) F-Swahili= good, M = beautiful lady w/attractive face Hayal T = dream:::T = crescent M= Mohammed's first wife, means "born prematurely":::T = queen M= Mohammed's first wife, means "born prematurely":::T = queen Kralice L [ ] Lale T = tulip Larisa/Larissa Latin = cheerful Lateefah/Latifa (lah-TEE-fah) F-N. Africa= pleasant, gentle, good humor Layla / Leyli F=Swahili (ligh-LAH) A/P = (Leh-lah) Famous beauty in Leyla & Majnun, 2) night. Also Leilah (leh-lah) P= having dark hair Leda G = mythology, a spartan queen, mother of Helen of Troy Leorah H = light to me Levana (leh-vahn-ah) H = moon Levona H = spice, incense, usually white in color Leylak T = lilac:::M = flexible We may protest, of course, if the masters see fit to permit it,' said Mira, 'But then, when we are finished, our discipline is reimposed upon us, perhaps even more severely.' 'Discipline?' breathed the girl. 'Yes,' said Mira, 'the slave girl is subject to discipline and punishment. She is owned, like a sleen or tarsk is owned. She is owned, literally owned, You must understand that in its full sense. Accordingly, anything may be done with her that the master wishes. She may even be slain, if the master wishes.' 'Then the slave girl is totally helpless,' said the girl. 'She is totally at the mercy of the master.' 'Yes,' said Mira. 'I would like that,' said the girl. 'Oh?' asked Mira. 'Are you happy?' asked the girl. 'Yes, incredibly so.' 'Do you not desire freedom?' asked the girl. 'The only freedom I This online activity usually manifests as some form of roleplaying. People choose a character, assign themselves things such as caste and occupation, then they join an online Gorean world. It’s a pastime that requires extensive knowledge of the books, and in-depth research is often needed to make a character believable.I think, pretty clearly, the three major influences on my work are Homer, Freud, and Nietzsche. Interestingly, however obvious this influence might be, few, if any, critics, commentators, or such, have called attention to it. coarse-grained. The beauty ate it eagerly. She had not known if she was to be fed that day. sometimes the slave is not fed. this might occur for aesthetic reasons, as, for example, if her measurements, which are generally carefully kept, should minutely depart from her master's conception of her ideal curvatures; sometimes merely to remind her of on whom she depends, totally, for her very life; sometimes as a training or disciplinary measure; sometimes merely to startle or puzzle her; what has she done; she is not told; has she not been sufficiently pleasing; she is not told; the girl, frightened, anxious, redoubles her efforts to please in all the thousand spheres of her