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There is also room for expansion with plenty of optical inputs and outputs, making it possible to record anything from just drums to a full band. Ensuring the studio can grow with time, there are both ADAT and SPDIF options to add up to 16 extra channels of mic preamps. As part of this mission, whenever we review a product we send the company a series of questions to help us gauge and make transparent the impact the device has on the environment. We test every amplifier we review thoroughly over an extended period of time. We use industry standard tests to compare features properly. We’ll always tell you what we find. We never, ever, accept money to review a product. Marketing director, Andy Allen explains Audient’s thinking: “We believe technology shouldn’t get in the way of the creative process; it should enhance it and be accessible to all, no matter what their skill-level or art-form and EVO is here to help make great-sounding recordings as easy and effortless as possible.
Audient Evo 4 Review | Trusted Reviews
At first, it seems simplicity is the sole hook. The Audient Evo 4 is light on dials and knobs, is small, and has a neat feature that sets you levels automatically to avoid clipping – brilliant for beginners. In its default state, EVO seems designed to present the simplest and least intimidating array of controls possible, presumably so as not to put off newcomers. Delve a little deeper, however, and you’ll find that it offers a surprisingly comprehensive level of control, including a number of features that are more typical of expensive ‘professional’ interfaces. I’ve already mentioned the ability to apply a level offset to the Alt Speaker mix, for level‑matched speaker switching. That and all the other possible function button settings are all available simultaneously from the right‑hand side of the EVO panel, and many are further configurable from the Settings window. A particularly great feature is that you can choose whether you want the mono fold‑down to be routed to the left, right, or both speakers — single‑speaker mono is incredibly useful, and I can’t think of many other interfaces that make it easily accessible at a single button press. Routing is as flexible as you’re ever likely to need it to be, and unless you wanted to use the EVO 16 to drive a surround speaker setup, I can’t imagine feeling limited by its capabilities. A new benchmark in audio interfaces has arrived: EVO. Created by renowned British audio brand Audient, EVO delivers a new level of user experience with one focus: to make recording easy. EVO launches at NAMM 2020 where visitors to the Audient booth #10102 can get their hands on the 2in / 2out audio interface EVO 4 – and find out more about EVO 8 which will be available soon after. The software only allows 4 mixes, it would have been nice to allow more if using mono mixes as it does have 8 outputs.All of EVO 4’s monitoring functions are controlled by a single control knob, including volume control, monitor mix, and monitor pan. They can also be adjusted from the EVO 4 Control app, letting you make adjustments on the fly.
Audient Evo 4 review | MusicRadar Audient Evo 4 review | MusicRadar
One of the things that differentiates the EVO range from Audient’s more costly ID and ASP products is the use of generic audio circuitry rather than bespoke designs. However, that doesn’t necessarily mean that you can expect inferior performance, and the audio specifications for the EVO 16 are actually rather good. (They’re also commendably clear and comprehensive, especially in regard to things like headphone output level, which is often overlooked.) If you’re thinking of interfacing the EVO 16 with other studio gear, though, be aware that like many other affordable interfaces, it doesn’t quite operate at ‘professional’ levels. The outputs generate a maximum level of +12dBu, while the hottest that can be accommodated at the inputs is +16dBu.As with the smaller EVO products, EVO 16 comes with the Smartgain feature, which automatically sets the gain with the touch of a button. “The added bonus with EVO 16, is that it can automatically set the gain for all 8 channels at once, ideal for drummers who have multiple mic inputs and synth players needing lots of line inputs,” explains Andy. “Smartgain has been designed to take the guesswork out of setting gain. Not only does it save time for the user, but it eliminates the hassle for those working on their own, which means users can spend less time figuring out the tech and more time recording.”
Audient EVO 8 4-in 4-out Audio Interface - Andertons Music Co. Audient EVO 8 4-in 4-out Audio Interface - Andertons Music Co.
Combi XLR/line inputs As both of the primary inputs will take 6.35mm plugs or XLR cables, the EVO 4 is just as home with microphones as guitars Want to grow your studio business? Invest in Audient. – Audient on Audient keeps Lito’s Place on Top of Film Work
Audient’s recently announced EVO 16 promises a glimpse of things to come for the interface market, but how well does it actually perform? See it and hear it as three Experts give their verdict… Evolving The Interface EVO 16’s 8 EVO Preamps provide 58dB Mic Gain, while its advanced converter technology offers a staggering 121dB dynamic range, providing professional grade audio performance across the board. The market for budget, entry‑level interfaces is mostly made up of newcomers to recording. These customers, on the one hand, benefit from designs that present the easiest possible learning curve; but on the other, they’re also unburdened by preconceptions as to how an audio interface should work. Consequently, Audient have put a lot of work into the usability and ergonomics of the EVO series, and they’ve not been afraid to depart from established convention. The EVO 4 and EVO 8 look nothing like any other audio interface I’ve ever seen, and present a refreshingly minimal and friendly user interface.
EVO 4 Audio Interface - Make great recordings effortless
The more I dug into what the Audient Evo 4 can do, the wider its appeal became. At this price solid performance with two inputs is enough, but there are extras for streamers and podcasters too. Performance In every Expert review we ask three of our team of contributors to give their first impressions of the product. We ask them to give the product a hit or miss, based on factors such as originality, innovation, usefulness, quality and value for money. For each hit the products gets an Expert Award. One hit and it gets our bronze award, two hits gets silver and for a hit from all three of the panel it gets a coveted gold award. Of course if there’s three misses, there’s no award. Luke Goddard On EVO 16The ID‑series interfaces are competitively priced, but on the pure value‑for‑money front, they are undercut by rival products that use mass‑market, off‑the‑shelf components and circuits. Hence the launch of Audient’s EVO series of interfaces, brought to market more affordably by the use of generic audio circuitry instead of the Audient custom designs employed in the ID series. But price isn’t the only thing differentiating the EVO interfaces from their ID brethren. Tabula Rasa This is a highly beginner-friendly interface, and Smartgain is the best example of why. It’s represented by the larger green button. Audient’s space-saving style does mean the volume knob has to take on a whole bunch of duties, though. It’s a free-turning dial with 19 white LEDs around its perimeter. Those LEDs might tell you the global volume level, the level of inputs 1 or 2, headphone output volume or the monitor mix for one of the inputs. Or act as a VU meter for your inputs, to show you when you might be getting close to clipping. The Production Expert team are first and foremost professionals working daily in music and post-production. Our content is informed by a team who are practitioners, meaning our tutorials are devised to help those working in real-world scenarios.
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